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Tabor Robak enjoying some nutrient.

Tabor Robak (built-in May 31, 1986) is an American Contemporary Artist working in New Media, living in New York City. Robak is primarily known for his trailblazing digital fine art do, multi-aqueduct video installations and generative artworks.[1] Robak's work has been exhibited and collected internationally at renowned institutions such as Museum of Modern Art, Serpentine, National Gallery of Victoria, Albright Knox, and Migros Museum.[2] In 2014, Robak was named in Forbes' 30 under 30 in Art.[iii] Robak has guest lectured MFA students at Yale and co-taught an MFA course on real time 3D at New York Academy.[4] [2]

The Metropolitan Museum of Fine art describes Robak every bit a "prodigy of digital furnishings" and "the near talented and interesting creative person using calculator graphics today."[5]

Early life and education [edit]

Tabor Robak was born in Portland, Oregon. He began working freelance as a photoshop editor at the age of 13, before earning a BFA from Pacific Northwest College of Art in Portland, Oregon.[6] Later earning his degree in 2010, Robak moved to New York City and began participating in grouping shows internationally at places such as MoMA PS1, Rhizome, Thaddeus Ropac, and the Lyon Biennale before his first solo exhibition at Team Gallery in 2013.[7]

Career and work [edit]

2008-2012: Early on career [edit]

During college, Robak began incorporating digital tools into his practice and uploading his work to his website and sites like tumblr to connect with the growing community of net artists. Robak'southward early works consisted of 3D interactive environments, to exist accessed on the artist'south website.[8] These pieces, which the artist described as having a "desktop screensaver aesthetic," sought to isolate digital space as a fact, an abstracted, alternating reality. Many of Robak'due south works during this flow were featured on Rhizome including his first online piece, Reality CPU, forth with works such as Digital Spirituality, Carbon and Mansion.[ix]

In 2011 Robak formed HDBOYZ with beau artists and friends, Alex-Kelly Hoffman, Ryder Ripps, Aaron David Ross and Colin Self. Dubbed by DIS Magazine as "the first cyberspace male child band," they performed five songs including Photoshopped and HDMI in Dearest? at MoMA PS1 during the closing night of Ryan Trecartin's solo show.[x] [11] [12]

In 2011, Robak designed and animated a music video in collaboration with artist and musician Fatima Al Qadari, for her vocal, Vatican Vibes. The video created a "visual analogy between the Vatican'southward 'centuries-onetime mechanisms of control over people' and video gamers' "godlike ability over populations."[13] The video premiered at the New Museum and toured internationally from 2011-2013.[14]

In 2012, Robak created a downloadable interactive virtual environment for Gatekeeper's anthology, EXO which was set to the music and doubled equally the band's tour visuals.[15]

2013-2019: Breakthrough and critical success [edit]

Xenix (2013) 7-channel 4K video, networked media players. From the prove, Side by side-Gen Open up Beta.

In 2013, Robak fabricated his solo evidence debut at Team Gallery in New York City, entitled, "Next-Gen Open up Beta." Artforum described the show every bit, "visually breathtaking" with "painstakingly detailed environments that make as strong a case for technological accelerationism as they exercise for the somewhat old-world values of craftsmanship and painterly illusionism" and with imagery equally "alienating every bit information technology is immersive" [xvi] The New York Observer chosen the exhibition "one of the major events of the season" both because of the quality of the work and considering it was "signaling [digital art's] newfound acceptance by big-league galleries like Team.[1] Xenix, was later acquired by the Museum of Modern Art.[17]

Where's My Water? (2015) 12-channel 8K video, networked media players. Permanent collection of the Metropolitan Museum of Art in New York City.

In 2015, Robak exhibited his 2nd solo evidence at Team Gallery entitled, Fake Shrimp. The show featured 4 CGI works and received wide critical acclaim. Roberta Smith reviewed the exhibition in The New York Times, praising Robak'south virtuosity, his dazzling visuality, and "his meshing of loftier and low; digital and labor-intensive; fine art and advertising."[eighteen] Lloyd Wise from Artforum described the show equally "MDMA for the eye," "sparkling and synthetic, color-splashed and sumptuous, gloriously seamless and refined."[19] Wise described Robak's mastery of digital tools as having a "side by side-level skill set of a virtuoso."[xix] New York Magazine dubbed Robak, "Pixelangelo" in reference to level of detail and the labor intensive process required in producing the evidence, noting that while the imagery was evocative of video games, the work was "exponentially more elaborate."[twenty] Where'due south My Water? was caused by the Metropolitan Museum of Art in 2017.[5]

In 2016, Robak presented his 3rd solo show, Sunflower Seed, at Team Gallery's Venice Beach location in Los Angeles. The exhibition was also shown that summer in Sweden at Johan Berggren Gallery in Malmo.[21] Critics praised Robak for having "choreographed a masterly and complex ballet of pixels" and noted the imagery was "meditative, whimsical, mesmerizing and almost impossible to walk away from." The work was a thematic difference, with Robak exploring scenes from the natural globe.[22] Skypad was later added to the permanent collection of AkzoNobel Art Foundation, in Amsterdam.[23]

In 2017, Robak exhibited his fourth solo show, Quantaspectra, at Team Gallery in New York City. Named for quantification via the color system, the prove featured seven unmarried channel works, each representing a different colour and exploring different themes in a universe creation.[24]

In 2019, Robak presented his sixth solo bear witness, MENTAL, at vonammon co in Washington, DC. Arguably, his "most experimental exhibition to date," Robak explores "the bankruptcy of branding" and the "dystopian divide [between heed and torso] that may be deepened past art." The show received positive reviews with Artforum describing Robak's mastery of the technology as "operating like a dark-web Nam June Paik." The publication also noted Robak'southward "critique is more specifically attuned to how capitalism elicits feelings of frustration and ambivalence in the field of contemporary art.[25] [26] [27] Sculpture magazine compared the works to vanitas that "impart a loss of permanence and control, while paradoxically, signaling our shared vulnerability."[26]

In 2019, Robak exhibited Xenix, at the Museum of Modern Art, as part of the group show, New Social club: Art and Applied science in the 21st Century. The show was curated with work from the museum's permanent collection and organized by Michelle Kuo. The New York Times called Robak's work, "one of the most significant" in the exhibition.[28]

In 2019, Robak exhibited, Flatearth.io, his first solo bear witness in the Netherlands, at Upstream Gallery in Amsterdam. Critics called Robak, "the almost compelling artist today working with figurer-generated imagery" and praised his ability to elevate "the craftsmanship of CGI to the standing of intellectual art."[29]

2020-present: Current projects [edit]

In December 2020, Robak presented, Megafauna, an fourscore screen video installation commissioned by the National Gallery of Victoria for the museum's Triennial, which featured an "immersive installation of computer-generated animations that surround the viewer in an entire gallery, and was "the biggest work he has ever fabricated."[xxx]

In 2020, Robak'south work was featured in group exhibitions worldwide including, Better off Online, presented by KÖNIG GALERIE at Ars Electronica; Fine art in the Historic period of Anxiety at Sharjah Art Foundation in Dubai; Open Earth: Video Games and Gimmicky Art, at the Currier Museum of Art.[31] [32] [33]

In 2021, Robak created Butterfly Room: Special Edition, for the group exhibition, World on a Wire, presented by Rhizome as function of a collaboration with Hyundai in Beijing.[34]

Moving picture and manner [edit]

Robak programmed and designed the animated sequences in the 2015 motion-picture show, #Horror, directed by Tara Subkoff, curated by Urs Fischer and starring Chloë Sevigny and Natasha Lyonne.[35] The film premiered at the Museum of Modern Art.[36]

Robak's work, Mini Colossal, a miniature Jumbotron sculpture from his show MENTAL, was showcased at Maison Margiela's concept store in Soho in as part of the offset series of installations at the experimental boutique.[37]

In 2019, Robak created a custom video loop of a cityscape prepare to unreleased tracks past DJ Hell for Balenciaga.[38]

Artistic procedure and themes [edit]

Robak's work utilizes the visual vocabulary of modern video games, advertising and animated picture show, to examine societal perceptions of the digital and the real.[39] [20] His work frequently deals with the tension between human nature and technology, exploring themes such as, late capitalism, mass media, trauma, domestic life, weapons, violence, robotics, healthcare and privacy.[26] [27] [30] [40]

Robak commonly employs several reckoner programs including Unity, Adobe After Effects, and Cinema 4D to create multi-aqueduct video installations, procedurally generated animations, and electronic sculpture.[41] [19] [27] He oftentimes incorporates novel engineering science including transparent television set monitors, mini Raspberry Pi computers, and builds custom PCs for his procedurally generative works.[42]

In his procedurally generated piece of work, Robak programs software to create algorithmic visual compositions that mimic the gestures of a painter's brush stroke. He embraces generative lawmaking to produce those fleeting, but perfect moments akin to the serendipity of nature'southward rhythms, believing the open-concluded quality of this process presents more opportunities to replicate these moments than deliberate pattern.[6]

Critics have referred to Robak'due south proficiency with the software as "virtually unmatched" in the Art Globe, and praised Robak for bringing "an old-schoolhouse sense of integrity and arts and crafts—even disciplinary rigor—to his digital exercise, "exploring the medium of CGI the way Michelangelo did marble."[19] [twenty] His working method has been described as "fluid, intuitive, and obsessive" creating extremely "detailed and meticulous" images and software that can accept "months to compose."[half dozen] [nineteen]

Major commissions [edit]

In 2014, Swiss Institute deputed, A*, from Robak for the exhibition, The Saint Petersburg Paradox. [43]

In 2016, Public Art Fund commissioned, Liquid Demo for the 117-past-56-pes, 360 degree LED screen in the Oculus at Barclays Center, for the exhibition, Commercial Break.[44]

In 2017, Robak was commissioned by Microsoft to create an artwork for the forty-foot screen on the façade of their flagship store on fifth Artery.[45]

The National Gallery of Victoria commissioned an 80 screen video installation from Robak for the museum's 2020 Triennial.[30]

Collections [edit]

Robak'southward work is currently held in the following public collections:[seven]

  • AkzoNobel Fine art Foundation, Amsterdam, Netherlands
  • Albright-Knox Art Gallery, Buffalo, NY
  • Alfond Drove of Contemporary Art at Rollins Higher at the Cornell Fine Arts Museum, Winter Park, Florida
  • DESTE Foundation for Contemporary Art, Athens, Greece
  • Fondazione Sandretto Re Rebaudengo, Turin, Italy
  • KRC Collection, Amsterdam, Netherlands
  • Metropolitan Museum of Art, New York, NY
  • Migros Museum für Gegenwartskunst, Zürich, Switzerland
  • Museum of Modern Art, New York, NY
  • National Gallery of Victoria, Melbourne, Australia
  • Serpentine Galleries, London, U.k.
  • Whitney Museum of American Art, New York, NY
  • Yuz Foundation, Jakarta, Indonesia

Exhibitions (selection)[7] [edit]

2021

  • AkzoNobel Fine art Foundation, Amsterdam, Netherlands, Reflections across the Surface
  • Oklahoma Gimmicky, Oklahoma City, Oklahoma, Open World: Video Games & Contemporary Fine art
  • Rhizome/Hyundai Motorstudio Seoul, Seoul, Republic of korea, World on a Wire (curated by Michael Connor)
  • Fotomuseum Winterthur, Winterthur, Switzerland, How to Win at Photography2020
  • MoCA Westport, Westport, Connecticut, World Peace (curated past Todd von Ammon
  • Ars Electronica/König Galerie, Linz, Republic of austria, Amend Off Online (curated past Anika Meier)
  • Sharjah Art Foundation, Sharjah, United Arab Emirates, Art in the Age of Anxiety (curated by Omar Kholeif)
  • Currier Museum of Art, Manchester, New Hampshire, Open Earth: Video Games & Contemporary Fine art (curated by Theresa Bembnister)

2019

  • Upstream Gallery, Amsterdam, FlatEarth.io (solo)
  • Von Ammon Co, Washington D.C, Mental (solo)
  • Jeffrey Deitch & Gagosian Gallery, Miami Beach, The Farthermost Nowadays
  • Von Ammon Co, Washington, Focus Grouping
  • Akron Art Museum, Ohio, Open World: Video Games & Contemporary Art
  • Somerset House, Crossing the Borders of Photography
  • Museum of Mod Fine art, New York, New Lodge: Art and Engineering in the 21st Century (curated by Michelle Kuo)

2018

  • Museum of Gimmicky Fine art, Chicago, I Was Raised on the Internet (curated by Omar Kholeif)
  • Upstream Gallery, Amsterdam, Live and Let Live
  • ARCOmadrid, Madrid, Kingdom of spain, Ryan McGinley and Tabor Robak Golinelli Art and Science Heart, Bologna, Italy, UNPREDICTABLE

2017

  • Team Gallery, New York, NY, Quantaspectra (solo)
  • Microsoft Culture Wall, New York, NY, Sundial (solo)
  • Berggruen Gallery, San Francisco, California, Botanica (curated past Todd von Ammon)
  • Barclays Center, Brooklyn, NY, Public Fine art Fund: Commercial Interruption
  • Museum of Art, Architecture and Applied science, Lisbon, Portugal, Utopia/Dystopia
  • Kunsthal Rotterdam, Rotterdam, The Netherlands, Human/Digital: A Symbiotic Love Affair
  • University of Louisville, Louisville, KY, Painting in the Network: Algorithm and Appropriation

2016

  • Johan Berggren Gallery, Malmö, Sweden, Sunflower Seed (solo)
  • Team (bungalow), Los Angeles, CA, Sunflower Seed (solo)
  • Yuz Museum Shanghai, Shanghai, China, OVERPOP: New Art from Yuz Collection and beyond (Curated by Jeffrey Deitch & Karen Smith)
  • Museum of Contemporary Art Tokyo, Tokyo, Japan, Tokyo Remix: Creative Power from the Metropolis

2015

  • Team Gallery, New York, NY, Fake Shrimp (solo)
  • Serpentine Galleries, London, Uk, Special Projects: Drinking Bird (Seasons) 2nd Beijing Photograph Biennial, CAFA Art Museum, Beijing, China, Unfamiliar Asia

(selected past Yuko Hasegawa)

  • Pavillon de l'Arsenal, Paris, France, Artists and Architecture

Migros Museum, Zurich, Switzerland, Toys Redux - On Play and Critique (curated by Raphael Gygax & Judith Welter)

  • Kunsthalle zu Kiel, Kiel, Federal republic of germany, Playing Futurity (curated by Dörte Zbikowski)
  • Max Hetzler Gallery, Berlin, Federal republic of germany, Open Source: Fine art at the Eclipse of Capitalism

(curated by Lisa Schiff, Leslie Fritz and Eugenio Re Rebaudengo)

  • Ellis King, Dublin, Ireland, Constructed Civilisation Sounds Like Conculture (curated past Samuel Leuenberger)
  • Albright-Knox Art Gallery, Buffalo, NY, Screen Play: Life in an Animated World Artuner, Palazzo Capris, Turin, Italy, Michael Armitage, Paul Kneale, Tabor Robak

(curated by Eugenio Re Rebaudengo) 2014

  • Pablo's Birthday, New York, NY, LIKENEWLANDSCAPE
  • Galerie Andreas Huber, Vienna, Austria, Instrumental Assistance (curated by Kristina Scepanski)
  • Upstream Gallery, Amsterdam, Kingdom of the netherlands, Shifting Optics Barbican Centre, London, United kingdom of great britain and northern ireland, Digital Revolution
  • Swiss Institute Contemporary Fine art, New York, NY, The St. Petersburg Paradox (curated past Simon Castets)
  • Kunsthalle Düsseldorf, Düsseldorf, Deutschland, Smart New World (curated by Elodie Evers and Magdalena Holzhey)

References [edit]

  1. ^ a b "'Tabor Robak: Next-Gen Beta' at Team Gallery". Observer. 2013-12-03. Retrieved 2021-02-27 .
  2. ^ a b "CV". Tabor Robak . Retrieved 2021-02-27 .
  3. ^ "30 under xxx: Art & Style". www.forbes.com. Archived from the original on 2016-03-28. Retrieved 2021-eleven-10 .
  4. ^ "Visiting Artists". Yale School of Art . Retrieved 2021-02-27 .
  5. ^ a b "Where's My H2o? (2015) Tabor Robak". world wide web.metmuseum.org . Retrieved 2021-11-x .
  6. ^ a b c SSENSE (2017-07-06). "Tabor Robak: The New Old Master". ssense . Retrieved 2021-02-27 .
  7. ^ a b c "CV". Tabor Robak . Retrieved 2021-02-26 .
  8. ^ "Creative person Profile: Tabor Robak". Rhizome . Retrieved 2021-02-26 .
  9. ^ "Listen Games". Rhizome . Retrieved 2021-02-27 .
  10. ^ Toro, Lauren Boyle, Solomon Hunt, Marco Roso, Nick Scholl, David. "#HDBOYZ: The Boyz Defined". DIS Mag . Retrieved 2021-02-27 .
  11. ^ Toro, Lauren Boyle, Solomon Chase, Marco Roso, Nick Scholl, David. "#HDBOYZ Video Debut! Photoshopped (Live at MoMA PS1)". DIS Magazine . Retrieved 2021-02-26 .
  12. ^ Dazed (2012-08-07). "Gatekeeper: Enter The Void". Dazed . Retrieved 2021-02-26 .
  13. ^ York, Fatima Al Qadiri New; NY; United states (2014-01-21). "Vatican Vibes". Creative Time Reports . Retrieved 2021-02-27 .
  14. ^ York, Fatima Al Qadiri New; NY; United states of america (2014-01-21). "Vatican Vibes". Creative Time Reports . Retrieved 2021-02-26 .
  15. ^ Dazed (2012-08-07). "Gatekeeper: Enter The Void". Dazed . Retrieved 2021-02-27 .
  16. ^ "Squad Gallery | Grand Street". www.artforum.com . Retrieved 2021-02-27 .
  17. ^ "Tabor Robak. Xenix. 2013 | MoMA". The Museum of Modern Art . Retrieved 2021-02-27 .
  18. ^ Smith, Roberta (2015-05-28). "Review: Tabor Robak, 'Fake Shrimp'". The New York Times. ISSN 0362-4331. Retrieved 2017-06-17 .
  19. ^ a b c d e "OPENINGS: TABOR ROBAK". world wide web.artforum.com . Retrieved 2021-02-27 .
  20. ^ a b c "Tin Digital Artist Tabor Robak Become Pixelangelo?". Vulture . Retrieved 2021-02-26 .
  21. ^ "TABOR ROBAK | JOHAN BERGGREN GALLERY". www.johanberggren.com . Retrieved 2021-02-27 .
  22. ^ Zellen, Jody (2016-06-15). "team (bungalow): Tabor Robak". Arms Mag . Retrieved 2021-02-27 .
  23. ^ "AkzoNobel Art Foundation". www.artfoundation.akzonobel.com . Retrieved 2021-02-27 .
  24. ^ "Tabor Robak : Quantaspectra". world wide web.teamgal.com . Retrieved 2021-02-27 .
  25. ^ "mental". vonammonco . Retrieved 2021-02-27 .
  26. ^ a b c Tanguy, Sarah (2020-04-30). "Tabor Robak". Sculpture . Retrieved 2021-02-27 .
  27. ^ a b c "Kriston Capps on Tabor Robak". world wide web.artforum.com . Retrieved 2021-02-27 .
  28. ^ Schwendener, Martha (2019-06-06). "Encountering the 'New Order' at MoMA (Published 2019)". The New York Times. ISSN 0362-4331. Retrieved 2021-02-27 .
  29. ^ "FLATEARTH.IO TABOR ROBAK • XIBT Contemporary Art Mag". XIBT Gimmicky Art Mag . Retrieved 2021-02-27 .
  30. ^ a b c Miller, Nick (2020-x-07). "From famine to feast: the mega art evidence coming shortly to Melbourne". The Sydney Forenoon Herald . Retrieved 2021-02-26 .
  31. ^ "Ameliorate OFF ONLINE". Tabor Robak . Retrieved 2021-02-27 .
  32. ^ "exhibitions - Sharjah Fine art Foundation". sharjahart.org . Retrieved 2021-02-27 .
  33. ^ "Open Globe: Currier Museum". currier.org . Retrieved 2021-02-27 .
  34. ^ "'World on a Wire'". www.newmuseum.org . Retrieved 2021-02-27 .
  35. ^ "Fine art-Meets-Horror". Pari Dust. 2015-11-18. Retrieved 2021-02-27 .
  36. ^ "#Horror". V Magazine . Retrieved 2021-02-27 .
  37. ^ "Maison Margiela Opens Transitory Concept Store in NYC: Run into Here". Highsnobiety. 2019-xi-01. Retrieved 2021-02-27 .
  38. ^ Tashjian, Rachel (5 December 2019). "How Balenciaga Became the Art Earth'due south Favorite Brand". GQ . Retrieved 2021-02-27 .
  39. ^ "'Tabor Robak: Side by side-Gen Beta' at Team Gallery". Observer. 2013-12-03. Retrieved 2021-02-26 .
  40. ^ "Best works to see at the NGV Triennial 2020". Fourth dimension Out Melbourne . Retrieved 2021-02-27 .
  41. ^ Toro, Lauren Boyle, Solomon Chase, Marco Roso, Nick Scholl, David. "Tabor Robak Saga". DIS Magazine . Retrieved 2017-06-17 .
  42. ^ "squad (bungalow): Tabor Robak - Arms Magazine". Artillery Mag. 2016-06-15. Retrieved 2017-06-17 .
  43. ^ "The Saint petersburg Paradox | Swiss Institute". Retrieved 2021-02-26 .
  44. ^ "Commercial Break - Public Art Fund". www.publicartfund.org . Retrieved 2021-02-27 .
  45. ^ "Microsoft Teams up with Brooklyn Artist Tabor Robak for New Culture Wall Collab". pastemagazine.com. 2017-04-01. Retrieved 2021-02-26 .

External links [edit]

  • Official website

Source: https://en.wikipedia.org/wiki/Tabor_Robak

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